It is made of cold iron, inlaid Copper,the craftsmanship is very complicated.
you can use it as a mala pendant, or a separate pendant, keychain.
All our crafts are directly handmade from Tibet.
When you purchase this craft it helps and support the artisan and their families in Tibet.
Your support is highly appreciated.
Details
100% Handmade
Pendant material:cold iron,red copper
Color:Black
Pattern: Skull,Flame
Height: 42mm / 1.65 inches
Width: 22mm /0.86 inches
Free Gift :
Cowhide Cord
Color:Black,Brown (Please choose your favorite color)
Length:68cm / 26.8inches
Width:4mm / 0.16inches
About Flame in buddhist
Fire is also personified as Agni, who in addition to all of these different forms is also the ritual intermediary, purifying the offerings made by humans and carrying them to the gods. Buddhism reinterpreted and adapted this fire symbolism and yogic practices employing fire symbolism were integrated into Buddhism.
About śmaśāna-adhipati
In Tibetan Buddhism, the corpse lord Jinliila is the incarnation and protector of Victory Vajra and Vajra Yoga Dakinis, and is one of the nine protectors of the three roots of Nyingmapa (guru, dakini, and protector).
He governs the "Eight Great Cold Forests" where the corpse is abandoned and protects those who practice uncleanness in the corpse forest. According to legend, the Eight Great Cold Forests are the places where the lotus born to form the eight great Heruka deities, namely the tyrannical cold forest in the east and the cold cold in the north. Forest, the West King Kong Flame Cold Forest, the South Bone Lock Cold Forest, the Northeast Crazy Laughing Cold Forest, the Southeast Auspicious Cold Forest, the Southwest Dark Forest, and the Northwest Chirp Cold Forest.
The Tibetan Buddhist Tripitaka Tantra records that the corpse forest master lives in the corpse city of skeletons. There is a corpse forest skull palace and a lotus flower sun wheel seat in the city. The corpse forest owner and his wife stand hugging and standing on the seat cushion. The corpse lord in the thangka is usually shown as two white skeletons standing in an embrace, with five skull crowns (that is, five small skulls) on top of their heads, in the midst of raging flames of prajna, waving bone rods, aquariums, etc.; using skulls to express impermanence Emptiness, the horrific appearance of the skull destroys hatred.
